Rise of the Yixing teapot is not accidental, it is the cultivation of tea culture environment under the outstanding results, but also the development of Chinese tea culture change the inevitable outcome. In particular, the literati’s involvement, not only tea culture elevated to a spiritual and cultural Cengci,  Huan teapot personally designed by the artist An Mapping themselves Zaiti carved paintings, Yun Yong Shishuhuayin form of a combination, from art aesthetically appreciation of the value of  the pursuit of external teapot. Scholars purple clay teapots creative participation, to promote the tea culture and literature of the communication, expansion of the tea culture connotation.

Later, Ming-week high from the ((Department of Yangxian tea pot “on Yixing clay also has a more detailed account:” soft mud, Zhaozhuang Hill, … … Shek Wong, Tin blue mud, old mud, Pak Nai, etc. Speaking after firing works Begonia mud colored red, carmine purple, Ding white, cold golden, light ink, incense, amethyst, pomegranate rind, Sunflower yellow, flashing colors, skins and monkeys. all kinds of variations, Miao-out conception. ”

Yixing clay is rich, the local general the clay into Pak Nai, a mud, soft mud three categories Yixing teapots. A clay seam in a mainly purple variegated silty clay Yixing pottery is the main raw material.

Writer Wang Zhi Ming posted on the (“Jingxi Shu” Yixing clay on such a record: “Shushan yellow and black soil Jie Ke Tao, Tao were negative mountain cave fire door, numerous caves, such as rabbits. To loess embryo, Black Fu of … … “said the loess tires, black gloss in the loess soil as a green body make-up surface. a few hundred years later, the production of Yixing ware is still in use this method.